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Wednesday, July 31, 2013

Appreciation: Jody McCrea





Personally I’m glad they’re reviving the beach-party franchise. The 1960s beach movies were superb, in their way: Frankie and Annette, and Harvey Lembeck, and the Himalayan Suspension Technique, and from time to time people like Luciana Paluzzi and Dwayne Hickman and Don Rickles.


But I mourn the loss of the original beach kids. I mourned Annette Funicello’s passing a few months ago in this blog. And now, very late, I’ve discovered that another member of the Beach Party cadre left us some years ago: Jody McCrea.


Jody was the son of handsome / beefy actor Joel McCrea and actress Frances Dee. He was a nice-looking man who very much took after his father. Take a look at these photos of the two of them:





In the Beach Party movies, he played a character named “Deadhead,” and sometimes “Bonehead.” He was the designated dummy. He was big and adorable and stupid. In one of the beach party movies, he finds a mermaid (naturally, none of his friends believes him), and they fall in love!


He was a bodybuilder, as you can probably tell from the above pics. He was well over six feet tall, as was his father. (Jody seldom took his shirt off. Partner said: “Well, naturally he didn’t take off his shirt. He would have make Frankie Avalon look pathetic.”)


He made a few more movies after the beach fad died, but mostly left show business after the 1960s. He became a rancher in New Mexico, where he died of a heart attack in 2009.


I didn’t know of his death until the other day, when Apollonia and I began researching him.


I was so sorry.


Annette’s dead, and Jody too.


They were the spirit of youth to us, back in the mid-1960s. Knowing that they’re dead is very depressing for us older folks.


It means that we might die too.


Unless we can figure out a way out of it.



Tuesday, July 30, 2013

Vintage drinking glasses




The TV series “Mad Men” has absorbed Partner and me for about a year now. We’re all caught up through Season Six. Each season has covered a year of the 1960s (more or less), so we’re up to the end of 1968. We’ve seen the assassination of two Kennedys, the murder of Martin Luther King, the Love Generation, et cetera.


The show's writing is excellent, as is the acting (by people like Jon Hamm and Elisabeth Moss and John Slattery and Robert Morse).


But, as with a lot of series set in the past, it’s possible to watch this show for the clothes and the sets and the accessories.


Bugles, for example. When I saw a minor character eating Bugles, I remembered when Bugles were new (in the mid-1960s), and I was amused and charmed, and astonished at the writers’ acumen at knowing that the product was introduced (with great fanfare) in the mid-1960s.


Also: in “Mad Men,” everyone drinks all the time. We see the drinking accessories: really darling glasses, clear glass with silver rims.


My parents had glasses just like them, with a big “W” monogram on them, in silver, naturally. I loved those glasses.


They recently showed up on a cutesy website: replicas of the “silver-rimmed Mad Men drinking glasses,” $25 for two (not including shipping).


Aha, I thinks, and went to eBay, and found two cute authentic Dorothy Thorpe roly-poly drinking glasses for $18 (including shipping).


They arrived the other day. They are perfect. They make me happy when I look at them, and they make a nice tinkling sound when I put ice cubes in them.


And they remind me of my childhood.




Monday, July 29, 2013

Fedora versus trilby



One wet evening in Paris last October, I impulsively bought a jaunty little hat to protect my pointed little head from the rain. It cost, I think, seven or eight euro.


Three-quarters of a year later, I still wear it, almost every day. I adore it. It’s a nice daily reminder of our time in France, and I am foolish enough to think I look cute in it.


Then I saw this on Tumblr:









Strike me dead! I’m wearing a damned trilby.


So hipsters are turning on themselves now. A trilby won’t do; evidently you’d better wear a fedora (so long as you’re wearing a suit, or if you’re Humphrey Bogart or Frank Sinatra, or if you’re Indiana Jones, or a really cool hipster).


How does the cool fedora differ from the uncool trilby? Fedoras are bigger. The fedora has a higher crown than the trilby, and a wider brim. The trilby’s brim is generally turned down in front.  Both are named after women, by the way.  “Fedora” – the Russian “Theodora” – was the title character of a Sardou play of the late 1800s; “Trilby” was the name of a novel by George du Maurier (featuring the evil hypnotist Svengali). When “Trilby” was dramatized in the early 1900s, the lead actress wore a smart little hat with the brim snapped down in front.


Anyway: the disagreements of hipsters are endless. What are we supposed to wear?


I don’t care. In fact, I have never cared. I don’t care if I look like hell. I like bright colors, and comfortable clothes.


And I like my little hat.


And I think “trilby” is a cute name for a hat.


And I think I’m pretty cute too:





Saturday, July 27, 2013

Microbes, probiotics, and prebiotics



Some time ago, Michael Pollan had an article in the New York Times Magazine about the cohabitation of microbes and human beings. It turns out that each one of us is a huge colony of cells, some of them specifically human, but the majority foreign to us. We contain more single-celled microbes than human cells, believe it or not.


But we coexist with those microbes. They live in us, and on us, and have done so for a very long time, and we have found ways of coexisting that are beneficial to all. Some microbes help to regulate our digestion; others regulate our immune systems; and so on.


Example: Helicobacter pylori. H. pylori was discovered several decades ago to be the main cause of stomach ulcers. Before this discovery, ulcers were one of those things you just suffered with, like arthritis. After the discovery, a quick course of specific antibiotics cured ulcers double-quick.


Except that it turns out that it’s more complicated than that. H. pylori helps regulate stomach acid when we’re younger; when we’re older, it causes ulcers. This (Pollan speculates) may be on purpose: maybe the body and the bacteria are collaborating to kill us, to move us off the stage so that younger and stronger people can take over.


H. pylori has been largely eradicated now. Is this a good thing? Perhaps. Perhaps not.


Pollan also takes on the issue of probiotics. Can we tend our gut flora as if it were a kitchen garden? Perhaps. We already do it with yogurt, and pickles, and sauerkraut, and all kinds of things. But now you can buy foods with “beneficial” microbes, which will colonize your stomach and intestines and make you unbelievably healthy.


Then there are “prebiotics.” These are foods that serve as quick-start fuel for microbial populations.


I tried one of these a few years ago.



Evidently I have a very lively microbial population in my gut. Giving it a little extra food was like giving Hitler the A-bomb.


I will never eat anything labeled “prebiotic” again.


I love my internal microbial population, but I don’t want them to take over completely.




Friday, July 26, 2013

Old men reading the news



CBS is the network of the elderly, especially on Sunday mornings. All of the correspondents on “CBS Sunday Morning” speak slowly and carefully, so we old codgers can understand them as we gradually awaken. The host of the show is the charming (but elderly) Charles Osgood, who’s eighty years old as of this moment.


And the show is followed by CBS’s “Face the Nation,” hosted by Bob Schieffer, who’s a comparatively youthful seventy-six years old.


One Sunday morning last spring, Schieffer opened the show with something like this: “Flooding! Snow in the Northeast! What’s with the weather?”


It’s a perfectly valid question, with a plethora of answers, all of them interesting. But it was his tone – his shrill old-man querulous tone – that made it almost funny. He seemed to be saying: What’s this? And why haven’t we heard about this before?


Well, we’ve heard about it approximately a thousand times. I first heard about it in the 1970s in high school, when the first Earth Day was celebrated. I even spent a few pennies then to buy an Earth Day decal, the money for which was supposed to go to some good ecological cause.


But here we are. The atmospheric CO2 level has gone to 400 parts per million, the highest level in three million years. This will have definite consequences on the climate.


And yet Bob Schieffer, who’s possible more than three million years old, wants to know what’s going on!


I’m on the verge of being an old man myself. But even I know more than Bob Schieffer seems to know.


The climate is changing.


Grab your hats and head for the exits, ladies and gentlemen. The future isn’t going to be very nice.


I’m only sorry that the old men on the Sunday-morning television programs aren’t preparing you more properly for it.




Thursday, July 25, 2013

Skunk hour



The Providence area is full of wildlife. I wrote about fisher cats not long ago, nasty weaselly things prowling down by the riverside. Foxes are being seen this summer all over the East Side (though I haven’t seen one yet, and I would love to, because I think they’re cute). Bunnies are everywhere. Ditto big ugly garbage-eating raccoons. Ditto possums, one of which hissed at me a few years ago when I passed it on the street.


And then there are skunks.


They’re always smaller than I think they’re going to be, like kittens. Their colors are lovely. But they’re alarming, for obvious reasons, or maybe just for one very obvious reason.


I can usually smell them when they’re in the neighborhood. Either I’m especially sensitive to their scent, or my rural upbringing makes me more aware of them. (Our old family dog back in the 1960s got sprayed more than once, and I can still hear him whining and crying in my mind.)


I was coming out of the local market one recent evening. It’s only about two blocks away from our apartment, and I have my choice of two routes home: a dull route that goes straight down the avenue, and another much more interesting sidewalk that winds up the hillside and is surrounded by shrubbery. I usually choose the winding sidewalk for the sake of aesthetics (even though I know that robbers and muggers are probably waiting among the shrubs to jump me), and so I did the other night.


But a young skinny guy was coming down the walk toward me, jabbering at me. I thought (charitably) that he was speaking on his Bluetooth, but then he approached me with an earnest look on his face. “There’s a skunk up there!” he exclaimed. “At the top of the path! He’s looking very – territorial!”


“Which way was he facing?” I said. “Toward you, or away from you?”


“Toward me,” he said. “But he wasn’t moving, and he had a determined look on his face.”


That was enough for me. I thanked Mr. Skinny Bicycle for saving me from a fate worse than death, and went home via the dull safe route.




One dark night,
my Tudor Ford climbed the hill's skull;
I watched for love-cars. Lights turned down,
they lay together, hull to hull,
where the graveyard shelves on the town. . . .
My mind's not right.



A car radio bleats,
"Love, O careless Love. . . ." I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody's here--



only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes' red fire
under the chalk-dry and spar spire
of the Trinitarian Church.



I stand on top
of our back steps and breathe the rich air--
a mother skunk with her column of kittens swills the garbage pail.
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare.



Wednesday, July 24, 2013

Appreciation: Aldo Ray




You know I have a weakness for beefy actors like Dana Andrews and Victor Mature and (more recently) Channing Tatum and Cam Gigandet. They appeal to me on a deeply hormonal level.


Here’s one I sometimes forget, until I see one of his movies: Aldo Ray.




Aldo played lots of soldiers, and a few nice guys (catch him in “The Marrying Kind” with Judy Holliday), and some tragic/romantic characters (as in “God’s Little Acre”). Later, in the 1960s and 1970s, he took whatever roles came along. He was diagnosed with cancer in the 1980s, and took any acting jobs that came along in order to pay for his health care; according to Wikipedia, he got dumped by the Screen Actors’ Guild when they discovered he was acting in non-union productions (including at least one porn film).  


Aldo, in his prime, is a pleasure to watch. He’s a physical marvel: thick-bodied and strong, with a big chest and thick neck. There’s a scene in “God’s Little Acre” when he suddenly appears shirtless, just standing there, waiting for his old girlfriend to respond to him, and I always squeal with pleasure when I see it.








Tuesday, July 23, 2013

Paula Deen, racism, and social change




Back when Barack Obama was first elected President of the United States in 2008, some of us felt pretty good about ourselves. Racial prejudice was over and done with, and we were living in the New Jerusalem.


But, presciently, a New York Times commentator at that time (I think Charles Blow) told us not to be so sure of ourselves. I wish I could find his exact quote. I paraphrase: “American racism is coming to an end, but it’s not dead yet. It’s going to become more concentrated, like sea-salt crystallizing as seawater evaporates.”


This image has come back to me over and over again over the past five years.


Most recently, Paula Deen, whom you would have thought would have been smarter, has shown herself to be a racist idiot of the crystallized-seawater variety. In recent depositions, she spoke defiantly about using the n-word in casual conversation. She defended herself by explaining that she was once held up by a black man.


Well, Paula, then that’s okay! We forgive you! Use racial epithets as much as you want!
Paula has asked for forgiveness via Internet video three times over the past few weeks. She is often tearful, which clearly demonstrates that she’s the victim here.


The great revelation here, for me, was doing research for this blog. I learned that there are a lot of people here in the USA who don’t like black people, and who use the Internet freely!


Man alive.


Have you seen this commercial?:





It’s a cute little girl asking her (white) mother if Cheerios are good for your heart. Mom says yes. Little girl runs into the living room and dumps a bunch of Cheerios on her (black) father’s chest.


Now go on line, look up the video (use search terms “interracial Cheerios”), and see what comes up.


Filthy and vile.


Now how about this commercial?:





Now go on the net and read the comments (search terms “International Delight bouncer”). You won’t need to go far to find something really atrocious. Imagine: a white woman admiring a black man’s body!


I won’t tell you the names of the websites I found these on. If you do the same searches I did, you’ll find the same kind of comments.


I was disgusted by them.


But – you know what? – go look for them. I want you to be disgusted too.


It’ll do you good.


It’ll show you, more forcefully than I can tell you, the kind of world we live in, and what we’re up against.





Monday, July 22, 2013

Famous on the Internet



There is a website called Klout, which tells you how influential you are on the Internet, on a scale from zero to 100. Only a few people have ever achieved a perfect score, and then they fall away again. I believe they give you a 15 or a 20 just for signing up, but then they monitor your Internet presence – Facebook, Twitter, LinkedIn, other social media, blogs, et cetera – and make your score more precise.


Some examples:


Justin Bieber’s a 93, or he was the other day. The Boston Bruins have the same score: 93. The New York Yankees have a 95.


Among my friends: one of my acquaintances (a former Brown student) has a score in the mid-60s. Partner has a pitiful 12. Two of my other friends are in the 20s.


I am currently a 37.


What does this mean?


Well, I consider that my score is pretty good for someone who has less than a hundred Facebook friends (it’s in the sixties, actually). Partner has less than twenty Facebook friends.


I love asking my student assistants how many Facebook friends they have. Invariably they have hundreds. One, a serious young man who’s going to be a junior next fall, has over 500; one of his classmates, a girl, has over 900; two recent graduates (I mentioned one of them above) have more than a thousand.


What does any of this mean?


It means: you can be famous on the Internet, if you know what you’re doing.


Just be careful.



Sunday, July 21, 2013

For Sunday: Vampire Weekend performs "Diane Young"





From their brand-new album: Vampire Weekend’s song “Diane Young.”



Think about the title. But not too long.









Saturday, July 20, 2013

Pirate gardens



There used to be a big nonsensical loop of interstate highway through the middle of downtown Providence. Some years ago, they rerouted the highway more sensibly, and tore down the old highway (which ran through some really prime downtown real estate). It’s mostly just green now: grass, and weeds, and wildflowers, and now and then (especially after a good heavy rain) huge angry geese.


When Boston redeveloped after the Big Dig, they left a nice strip of green through the heart of the city, and it’s a beautiful long narrow park snaking through the downtown area.


Providence won’t be that smart, I fear. I’m sure developers are already sparring for the land. But, for now, it’s mostly open space.


As I walk down Wickenden Street toward the Point Street Bridge, I cross a corner of this open space. And this is what I encountered about a month ago:





Some local person – “Pip” – had claimed a few square feet of it, to grow sunflowers and cosmos and various other charming odds and ends.


Within a week or so, some other people had joined Pip and made their own tiny garden beside his own.


I wanted to see this pirate enterprise prosper. I wanted to see ten or twenty more little pirate gardens spring up by Pip’s garden.


But gardening is hard. Weeds and wildflowers can grow all by themselves without care; garden flowers need water and cultivation. Back about a week or so ago, things were getting pretty dry down there, and Pip’s garden was suffering


No one ever said that piracy was an easy life.


But Pip learned his lesson. It’s been a pretty hot summer, and Pip has been keeping everything watered nicely since then. The sunflower especially is very cute (as you can see).


I’d like to see more of this. I’d like to see more people reclaiming unused land, in vacant lots and by the roadsides, for flowers and whatever they wish. I’ve tried scattering seeds and planting things in odd places myself, but nothing ever seems to come of my attempts. (I should stick to wildflowers, I suppose.)


Pip’s kind of piracy is the kind of piracy I can really support.



Friday, July 19, 2013

The pleasures of the elderly



“Did you see ‘Scaramouche’ on Turner Classic the other night?” I asked Apollonia the other day.


“What? Yeah, I think I switched past it,” she said. “Who was that? Rory Calhoun?”


“Nah,” I said. “Stewart Granger.”


We both laughed. “Same thing,” she said.


“I’ll say,” I said. “I think they were the same person. Maybe he was Rory Calhoun on Mondays, Wednesday, and Fridays, and Stewart Granger on Tuesdays, Thursdays, and Saturdays.”


Now we were both laughing like idiots.


Off in the corner there was a table of younger staff members, listening to us. They stared at us as if we were patients in an asylum. We were aware of them. But we kept laughing. No, more than that: we laughed even harder because they were staring at us.


Questions:


·        Does any of the above make any sense to you?
·        Do you know who Rory Calhoun was, or Stewart Granger?
·        Does “Turner Classic” mean anything to you?



It’s a habit of the elderly to mumble and cackle over the past. But this is a game we elderly people like to play: making reference to things that happened long before the other people in the room were born. It’s a way of getting even with those young people, with their music and their slang and their television programs that we’ve never heard of, and their texting jargon that we still haven’t quite figured out.


This is one of the great pleasures of the elderly: to make younger people uncomfortable.


Thursday, July 18, 2013

For Ramadan: Harira



Ramadan began last week. I have some Muslim friends on Facebook, so I see lots of “Ramadan kareem!” messages going back and forth.


The Islamic months don’t correspond to the seasons as ours do; their year is roughly 354 days long, so Ramadan happens roughly twelve days earlier every year. In 1984, my first year in Morocco, the first day of Ramadan was roughly the first of June. (There was some trouble that year. It’s not officially a new month until the new moon is sighted in Mecca, and the weather was bad that year in Saudi Arabia. Finally, around the third or fourth of June 1984, Ramadan was declared to be officially begun, almost by default.)


Summer is a bad time for Ramadan, and June is the worst of all, because June days are the longest days of the year. Muslims are enjoined to fast from the time in the morning when it’s light enough “to distinguish a black thread from a white thread” to the prayer-call at sunset. “Fasting,” in this sense, means no eating, no drinking water (very devout Muslims won’t swallow when they’re brushing their teeth, and there’s a lot of spitting in the street going on, because swallowing your own spit might qualify as drinking), no sex, no smoking (tragic in a culture like North Africa where everyone smokes).


That first year, in 1984, I tried to fast. I couldn’t do it. I realized, after two or three days, that no one could see me eating during the day if I just closed the window blinds.


Later, in Tunisia, I was more casual. I knew I was a “kouffar” (unbeliever), and so did everyone else, so I closeted myself in my office and smoked and drank water and coffee to my heart’s content. One of my Tunisian coworkers, who’d studied extensively in Europe and who was very worldly, joined me.


Then, a day or two later, someone else joined us.


After about two weeks, the whole office was smoking with me, on and off. It was okay, because they were with an unbeliever, and I was exerting an undue irreligious influence on them.


Ah, kids, those were the days.


There was a restaurant in Tunis not far from our house, which was also not far from the az-Zeituna mosque, one of the most famous mosques in Tunisia. During Ramadan, about fifteen minutes before sunset, we’d go there. They’d seat us and serve us soup.


But no one ate.


We waited for the boy at the mosque to give us the signal that the evening call to prayer was complete.


Then, in unison, we all dipped our spoons into our delicious thick chicken / tomato / chickpea soup, and broke our fast.




advertising
Makes about 12 cups
·         1 whole chicken breast, halved
·         4 cups chicken broth
·         4 cups water
·         a 28-to 32-ounce can whole tomatoes, drained and puréed coarse
·         1/4 teaspoon crumbled saffron threads
·         2 medium onions, chopped fine
·         19-ounce can of chick-peas, rinsed
·         1/2 cup raw long-grain rice
·         1/2 cup lentils
·         3/4 cup finely chopped fresh coriander
·         3/4 cup finely chopped fresh parsley leaves
·         dried chick-peas, picked over water

In a heavy kettle (at least 5 quarts) simmer chicken in broth and water 17 to 20 minutes, or until chicken is just cooked through, and transfer chicken with a slotted spoon to a cutting board. Add to kettle tomatoes, saffron, onions, chick-peas, rice, and lentils and simmer, covered, 30 minutes, or until lentils are tender. Shred chicken, discarding skin and bones, and stir into soup with salt and pepper to taste. Soup may be prepared 4 days ahead (cool uncovered before chilling covered).



I find this recipe incomplete. It needs ras al-hanout, the traditional North African seasoning (you can buy it online, or make it yourself from regular ol’ supermarket seasonings), and some eggs (Ramadan harira usually has pieces of hard-boiled egg in it).


Also: if you make this soup, serve it with lots of Italian or French bread, for scooping and dipping.


And if you don’t feel like cooking soup the long way, especially during this long dismally hot summer, I’ve discovered that Campbell’s makes some very nice soups in plastic bags, which are pretty authentic. Their “Moroccan Chicken with Chickpeas” is a very passable Moroccan shorba, verging on harira.


Pinch a penny and spend a couple of bucks and buy a packet of it, and enjoy it.


With some Italian bread, and a lemon wedge to squeeze into it.


Ramadan kareem.



Wednesday, July 17, 2013

Repeating myself





I’m always looking for ideas for these blogs. Sometimes they come thick and fast, and other times not so much. The other day I telling someone about my childhood in the Northwest, and the eruption of Mount St. Helens, and it hit me: what a good idea for a blog!


Thank goodness I check myself from time to time. It turns out I wrote about St. Helens back on July 13, 2011.


Goodness! I almost repeated myself!


But we repeat ourselves all the time. We create our own mythologies, and refine them. I watched my mother do it over time: she repeated her childhood stories over and over again, and they evolved subtly over time, becoming more and more flattering to herself and her family.


I leave it to you to wonder how much of my material is real and how much is – ahem – refined.


Because I freely admit that I am my mother’s son.





Tuesday, July 16, 2013

Movie review: "The Mask of Dimitrios" (1944)



I fell in love with this small movie, “The Mask of Dimitrios,” the first time I saw it. I ululate with pleasure every time it’s on Turner Classic Movies, and I record it and watch it two or three times over.


Summary: Peter Lorre, a Dutch mystery writer, becomes interested in the death of a criminal named Dimitrios Makropoulos in Istanbul. He follows Dimitrios’s story from Istanbul to Athens to Sofia to Geneva to Paris. He comes across all kinds of interesting people, all of whom know strange and incriminating things about poor dead Dimitrios. Then he realizes that Sydney Greenstreet, a jolly Englishman, seems to be following him on his journey of discovery . . .


Robert Osborne, the TMC host, calls this “no great shakes of a movie,” and a “guilty pleasure”: one of those noirish Warner Brothers movies in which people look mysterious and run up and down staircases.


He’s right about all of the above.


But the movie is a real pleasure, not just a guilty pleasure.


It is a pleasure to watch the creepy / plausible Peter Lorre make his way through Europe, discovering what he can about Dimitrios. (This is one of those movies in which we see a physical map of Europe, and we move from city to city, step by step.)


It is a pleasure to see Sydney Greenstreet run the gamut from obnoxious fellow tourist to threatening criminal to – what? – a friend.


It is a pleasure to see Faye Emerson as a bar-owner in Sofia, throatily intoning her memories of Dimitrios.


It is a pleasure to see the lean dark-eyed weasel-like Zachary Scott as Dimitrios, who may or may not be dead.


My favorite moment is toward the end of the movie, when Greenstreet gets shot. Lorre has a conniption fit, as only Lorre can. “He vas my friend!” he seethes. “Vell, he vasn’t exactly my friend, but – vell, I liked him!”


It’s a dramatic moment, and it makes me laugh every time.


“No great shakes of a movie”?


It’s a terrific movie.


Monday, July 15, 2013

Pennies




Canada recently decided to stop making pennies. “What will they do?” Apollonia wondered.


“Presumably,” I said, “they will start rounding prices at the five-cent point.”


She grimaced. “I wouldn’t like that.”


“No one much cares what you’d like,” I said. “Pennies are a curiosity, a thing of the past. Get modern, babe.”


In Tunisia we had aluminum coins worth five millimes: five one-thousandths of a dinar, less than an American penny in those days. It was the smallest change available on a daily basis. Street vendors sold single cigarettes for a few of those coins, which were called “durus.” Quite a few people didn’t bother to spend them.  I knew people who had huge jars full of them. Some people actually threw them away.


Smaller coins – worth one or two millimes – were available, but you seldom saw them. Everything in the market was generally priced in a rounded amount – 1 dinar 500 millimes – but your electric bill was always precise: 7 dinars 879 millimes. And, when you paid it (say, with a ten-dinar note), they gave you exact change, in coins smaller than the nail of your little finger.


Ah! That was fun.


Also back in those days, when the Italian lira was 2000 to the American dollar, they gave you change in hard candy. If your change came to 25 or 30 lira, they’d gesture to the bowl of hard candy on the counter and say, “Take one!”


All things considered, Canadians (and Americans, eventually) can live without the penny.


Who doesn’t like a little piece of candy once in a while?



Sunday, July 14, 2013

For Sunday: the Velvet Underground performs "Femme Fatale" (featuring Nico)




I first discovered the Velvet Underground when I was in graduate school in 1978. Their classic album (with the Andy Warhol banana on the cover) was eleven years old, even then. But I still sing the songs to myself, under my breath, in 2013: they’re still fresh and interesting, especially “Sunday Morning” and “Heroin” and “All Tomorrow’s Parties.”


And, naturally, “Femme Fatale.”


Nico (the lead singer) was a model / actress / singer / heroin addict. She had a strong deep voice and a strange accent, which made her interesting to listen to. 



Enjoy.