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Showing posts with label archy and mehitabel. Show all posts
Showing posts with label archy and mehitabel. Show all posts

Tuesday, January 1, 2013

For New Year's Day: I'm going to reform!

Archy

You know I try to provide something different for holidays.

 

 

Well, here it is, New Year’s Day 2013, and I have nothing.

 

 

No songs, no pertinent video clip, no nothing. This is my fifty-sixth New Year’s Day on earth, and I find that I have nothing inspirational to share.

 

 

Well, maybe one thing: a quatrain from Don Marquis, written by the cockroach Archy. Archy kept slipping, and repenting, and rebelling, and falling into line again. This is from one of his more repentant periods:

 

 

 

i sing the glad noo year

that s tending toward the norm

my song is one of cheer

i m going to reform

 

 

 

That’s a nice all-purpose resolution.

 

 

Happy New Year, kids.


 

 

Sunday, November 11, 2012

For Sunday: "archy at the tomb of napoleon," by Don Marquis

Napoleon_tomb_bordercropped


The first time I went to Paris was in March 1984. I was hopping from the USA to Morocco and had only about six hours to waste, so I raced into the city from the airport, had a cup of coffee and a brioche, and visited the Hotel des Invalides, which houses the tomb of Napoleon Bonaparte.

 

 

 

Why? Because Archy the Cockroach went there back in the 1920s and wrote a whopping good poem about it.

 

 

 

Partner and I visited the Invalides again in October. Napoleon is still there, in his gigantic stone tomb that looks like a cross between an overstuffed sofa and an enormous old-fashioned radio. And, like Archy, we left feeling “solemn but likewise uplifted.”

 

 

 

Herewith: “archy at the tomb of napoleon,” by Don Marquis.

 

 

 

paris france

i went over to

the hotel des invalides

today and gazed on

the sarcophagus of the

great napoleon

and the thought came

to me as i looked

down indeed it

is true napoleon

that the best goods

come in the smallest

packages here are

you napoleon with

your glorious course

run and here is

archy just in the

prime of his career

with his greatest

triumphs still before

him neither one of us

had a happy youth

neither one of us

was welcomed socially at

the beginning of his

career neither one of

us was considered much

to look at

and in ten thousand years from

now perhaps what you said and did

napoleon will be

confused with what

archy said and did

and perhaps the burial

place of neither will be

known napoleon looking

down upon you

I wish to ask you now

frankly as one famous

person to another

has it been worth

all the energy

that we expended all the

toil and trouble and

turmoil that it cost us

if you had your life

to live over

again bonaparte would

you pursue the star

of ambition

i tell you frankly

bonaparte that i myself

would choose the

humbler part

i would put the temptation

of greatness aside

and remain an ordinary

cockroach simple

and obscure but alas

there is a destiny that

pushes one forward

no matter how hard

one may try to resist it

i do not need to

tell you about that

bonaparte you know as

much about it as i do

yes looking at it in

the broader way neither

one of us has been to blame

for what he has done

neither for his great

successes nor his great mistakes

both of us napoleon

were impelled by some

mighty force external to

ourselves we are both to

be judged as great forces of

nature as tools in the

hand of fate rather than as

individuals who willed to

do what we have done

we must be forgiven

napoleon

you and i

when we have been

different from the common

run of creatures

i forgive you as i know

that you would forgive

me could you speak to me

and if you and i

napoleon forgive and

understand each other

what matters it if all

the world else find

things in both of us that

they find it hard

to forgive and understand

we have been

what we have been

napoleon and let them laugh that off

well after an hour or so of

meditation there i left

actually feeling that i

had been in communion

with that great spirit and

that for once in my

life i had understood and been

understood

and i went away feeling

solemn but likewise

uplifted mehitabel the

cat is missing

archy

 

Wednesday, November 9, 2011

CEOs are not like the rest of us

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The death of Steve Jobs brought forth a spate of worshipful obits, didn’t it?  I honestly had no idea.  I mean, rest in peace and so forth, but as a businessman, he was - hmm – brilliant but a little monomaniacal.  But I heard people quoting the most inane Jobisms, and odd little reminiscences – his (very substanceless) Zen meditations, his quick temper . . .

 

 

I am seeing, under all of this, a creepy renascence of the Victorian figure of the Captain of Industry.  For one thing, there’s that repugnant CBS show “Undercover Boss,” in which CEOs dress up in bad wigs and goatees and take front-line jobs in their own stores; it always turns into a Cinderella story, and the boss turns out to be Just A Guy After All, and Not So Bad.  He hands out gifts and bonuses and so forth at the end of the show, and pledges Never To Forget The Little People Again.

 

 

Phooey.  I bet.

 

 

I never said CEOs were bad.  I simply assume that they are, like the rest of us, greedy and venal.  The main differences between CEOs and the rest of us is that they have gotten their hands on some boodle, and have now shifted their focus to hanging on to what they’ve got.

 

 

They have also generally convinced themselves that they are somehow magical high priests of the material world.  There are large segments of the media (CNBC, the Wall Street Journal, even my beloved Financial Times) which constantly assure CEOs that they are very smart

 

 

The FT interviews a famous person every week over lunch; they even include the menu and the bill.  A few weeks ago, it was the pianist Mitsuko Uchida, who had some insightful things to say.  The following week, however, it was the CEO of J. Crew, a nonentity named Mickey Drexler, who was incredibly full of himself, running around being very cute, telling everyone very loudly that he knew everything. (He predicted that the restaurant's best-selling pizza would be margarita, and was delighted with himself when he turned out to be right; then he ranked the most popular cookies: chocolate chip, right?  Then oatmeal.  Maybe oatmeal raisin.  Then sugar.)

 

 

Genius, right?

 

 

The FT often asks CEO questions like: “Describe your work ethic in ten words.”  You can imagine the answers; I won’t reproduce them here.  But the column often also asks them: Do you deserve your salary?

 

 

And, do you know, every single one of them so far has said “yes.”

 

 

No demurral at all; no “Well, I hope so.” 

 

 

Aarggh!

 

 

As Archy the Cockroach said almost a hundred years ago: "Yours for red rum, ruin, revolt, and rapine."

 


 

Tuesday, October 12, 2010

A moment with Mehitabel: "Lousy and enjoyable"

 

 

 

This blog is still brand-new, so I can still set some ground rules.

 

Ground Rule #1: Sundays I'll take as a day for contemplation. Instead of Something Original, I'll just post a little text written by someone else.  Also, maybe I'll bake something.

 

Today's selection is from Don Marquis's "The Lives and Times of Archy and Mehitabel." Archy was a human being who'd been a bad poet; when he died, his soul went into the body of a cockroach. He still managed to write poetry by jumping around on the keys of Marquis's typewriter at night (he had trouble with capital letters and punctuation, as you'll see). Mehitabel was the office cat; she was very disreputable, but full of spirit, and always a lady.

 

This section was probably written 1934-35, soon after the Hays Code had cleaned up the "immoral" movie industry.

 

mehitabel the cat

says she is not scared

by the cleanup in the moving pictures

cheer up says mehitabel

television is coming some time

and who knows but what television

will be lousy and enjoyable

and by the time television is

cleaned up

the pictures will get immoral

again

there is always hope says

mehitabel

if you don t weaken

the artistic purpose

of these periods of reform is

to give

greater zest to the relaxation

which follows