The Moulin Rouge

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Before we left for Paris, Partner got us tickets for the Moulin Rouge. The tickets were hard to get; the show sells out very quickly.

 

 

And now I know why.

 

 

First of all, the neighborhood is exactly what you want it to be: it’s a slightly less grubby version of the old Times Square in Manhattan, or Boston’s late lamented Combat Zone. We arrived early and had a drink in a sidewalk café, and watched a pretty young prostitute pick up a nice young man at the next table. Romance!

 

 

The show was old-fashioned burlesque: big costumes, big musical numbers, and a little dash of Cirque du Soleil. The theme was “Feerie”: Fairyland.  There were two jugglers, one serious, one very funny. There was a big “exotic” musical number that couldn’t decide whether it wanted to be Indian, or Chinese, or Japanese. There were little ballads. There was, of course, the Can-can. (We were seated at a table with two very serious Frenchwomen, who only applauded the Can-can.)

 

 

Then there were the breasts.

 

 

They were everywhere, and they gave me quite a turn. I think I must have seen seventy or eighty of them. They were (mostly) very pert. (There were lots of bare behinds too, but they made less of an impression on me, for some reason.)

 

 

There was very little beefcake. There was one very nice number with two handsome acrobatic male dancers, one shirtless and the other in a t-shirt, who did elaborate handstands and carries. I could have done with a little more of that.

 

 

Upon leaving the club, I realized I’d left my American cap behind. To hell with it! I thought. I went to a street vendor and bought a very rakish hipster hat for seven euro.

 

 

So now I take a piece of the Moulin Rouge wherever I go, and my little American cap is floating around Montmartre somewhere.

 

 

Who knows? Maybe that prostitute has it.

 

 

Vive l’amour!

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