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Showing posts with label amy adams. Show all posts
Showing posts with label amy adams. Show all posts

Wednesday, July 3, 2013

Movie review: "Man of Steel"



Partner and I saw “Man of Steel,” the new Superman film, last weekend.


As a film, it mostly stinks. The more you think about it, the worse it gets. Imagine Pa Kent telling young Clark that he maybe shouldn’t have rescued a schoolbus full of children, because he might have revealed his secret identity!


It’s basically a redo of the second Christopher Reeve movie from 1980. General Zod is back from Krypton. There’s a big battle for the planet Earth.  Guess who wins?


Many critics have pointed out that this Superman doesn’t seem to care much about collateral damage. His extended battles with the villains take out a big chunk of Manhattan, ahem, Metropolis. This is strange for someone who, to paraphrase him, “just wants to help people.”


And so on, and so on.


But there are two bright spots.


One is a new plot point: Lois Lane (played by Amy Adams) is the first one to figure out that Superman is Clark Kent, very early in the movie. There’s a cute scene at the end of the movie when she’s introduced to him in disguise, and she does a very comical little double-take at him. This, for me, is a relief; the whole secret-identity thing is a little exhausting sometimes, and – let’s face it – if you can bend steel in your bare hands, you really shouldn’t be all that worried about people knowing your real name.


The other bright spot is Henry Cavill.


You know I tend to gush over beefily handsome actors. Well, here goes again. Henry Cavill is just about perfect. He has an adorable smile and a wonderful profile, and he has the face of an angel and the body of a Bengal tiger on steroids.


All through the movie, all the while I was hating the tiredness and confusion of the plot and direction, I was loving me some Henry Cavill.


If you haven’t seen it on the big screen yet, skip it. Wait for the DVR / Blu-Ray / Netflix version.


Because you don’t need to see it on the big screen, but you really owe it to yourself to see Henry.


He is the stuff that dreams are made of.




Monday, October 1, 2012

Movie review: "The Master"

Master


Partner and I saw “The Master,” with Philip Seymour Hoffman and Joaquin Phoenix, on Saturday.

 

 

 

It was very – interesting.

 

 

 

Don’t get me wrong. I liked it very much, and I think I will remember it for a long time. Both Hoffman and Phoenix were very good in it.

 

 

 

But this is not a movie for everyone. It’s a character study, and not really plot-driven.

 

 

 

In brief: Phoenix plays Freddy Quill, a (probably) mentally-ill World War II veteran. He’s sex-obsessed (I’ve never seen anyone literally pound sand before), and an alcoholic (with admixtures of paint thinner and gasoline and the chemicals you use to develop photographs), and deeply disturbed.

 

 

 

In 1950, Freddy meets Lancaster Dodd (Hoffman), a self-assured cult leader who’s written a book called “The Cause.” Dodd’s cult is a mix of reincarnation, Scientology, mysticism, and something that resembles Buddhism.

 

 

 

They fall in love immediately.

 

 

 

But it is not the love of human being for human being, or gay love, or anything else.

 

 

 

It is the love of a man for a German shepherd.

 

 

 

Freddy Quill is an animal. He is violent and uncontrollable. He loves his master. He disobeys him, and repents, and whines and cries and begs. He rolls with him in the grass.

 

 

 

Lancaster Dodd loves Freddy, though his wife (Amy Adams) and children disapprove. He tries to discipline Freddy, through training, and love, and everything he can muster. He sings to him. He calls him a “scoundrel.” He calls him an “animal.” He uses him as a test subject. He treats him abominably. 

 

 

 

Freddy goes feral a couple of times: he wanders away, and tries to find a life for himself elsewhere.

 

 

 

But he always comes home to his master.

 

 

 

The movie is dull and slow in spots. But the performances by Hoffman and Phoenix – and by Amy Adams – are just about perfect.

 

 

 

See it if you can.


 

 

Monday, November 28, 2011

The Muppets

Mupp4


Partner and I saw the new Muppet movie on Cape Cod at Thanksgiving.  I laughed myself sick several times, and teared up a couple of times.

 

 

I know, I am a doddery old coot.  But listen:

 

 

This is an excellently well-made movie.  The doubters said that modern kids would not like this movie, since they are not familiar with the Muppets.  These doubts were completely put to rest when I heard the children in the theater audience laughing themselves into delirium.   Chris Cooper rolls out a contract on a scroll, and it’s five feet long, and I heard a little boy in the back shriek: “It’s so long!”  Best of all, there’s a musical number performed completely wordlessly by clucking chickens, and Partner and I were laughing, but the little girls behind us were laughing so hard they were in tears.

 

 

There are lots of references that five-year-olds will not get.  The sequence beginning with Kermit’s robot butler serving Tab and New Coke, and ending with Gary Numan’s song “Cars,” is wonderful, and I was bellylaughing through the whole thing.  I got it: the Muppets were very early-1980s.

 

 

But then there's the new material.

 

 

I credit Jason Segel with this wonderful mash-up of nostalgia and cleverness.  He looks like a big human Muppet (as one of the songs in the movie affirms), and – according to sources, including Amy Adams (who plays his girlfriend) in New York Magazine – he is the biggest Muppet fan in existence, and is both the co-executive producer of this masterpiece, and its co-writer.

 

 

I don’t know if he wrote the songs, or collaborated on them, but they too are wonderful.  Kermit sings a sad little song early on in which he invokes the memory of his old Muppet comrades, and it’s lovely.  Jason and his Muppet brother Walter sing a wonderful duet early in the movie that’s reprised later, and it is also wonderful.  The big number - “Am I A Man Or Am I A Muppet?” – is (impossibly) both moving and hysterically funny.

 

 

And when, late in the movie, Kermit sings “Rainbow Connection” from the first movie back in 1979, I dare you not to get a lump in your throat.

 

 

It is a sweet movie.  I can’t tell you more than that.  Both Partner and I left the theater giggling, and nostalgic, and having had a wonderful time.

 

 

I don’t know much about viral advertising, or about social media, but I see a lot of my Internet friends and acquaintances getting excited about this movie.

 

 

See this movie, kids.  It is absolutely worth your time.  It will make you laugh, and make you sentimental, and hopefully you will hear (as we did) some kids shrieking with laughter.

 

 

It will give you hope for the future.