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Thursday, May 9, 2013
Saint Anthony of Padua
Tuesday, April 16, 2013
Famous last words
Funny how someone’s always hanging around to jot down the last words of well-known people.
These last words fall into (many) categories:
Incomprehensible: “Moose Indian” (Thoreau).
Moral / religious: “See in what peace a Christian can die!” (Addison).
Visionary: “Mozart . . .” (Gustav Mahler).
Egotistical: “What an artist dies with me!” (Nero).
Mysterious: “More light!” (Goethe).
Sardonic: “Are they lighting the fires already?” (Voltaire).
Stoic: “Livia, remember the days of our married life” (Augustus Caesar).
But let’s face it: the moment of death is probably very scary.
So let’s think of the boxer Buddy Baer, who sat up in bed a moment before he died, and said, simply:
“Oh my god, here I go!”
Wednesday, March 14, 2012
I am a sentimental old fool
I think most of my friends and coworkers (and family too) think I’m pretty chilly. I can be very snide. I am unmoved by most sob stories. Disasters make me shrug.
But small silly things make me tear up.
One of my coworkers has lots of her kid’s drawings pinned up on her office wall. I noticed one with a big bright drawing that said, in crayon, at the bottom: LADYBUGS ARE PRETTY LIKE YOU, MAMMA.
I teared up.
Other waterworks moments:
- The (protracted) ending of “Close Encounters of the Third Kind,” as the huge bright alien ship descends. I saw in at the end of my first trip abroad, in a theater in Copenhagen, and I was probably homesick, and I cried like a baby.
- The children’s story “The Cat Who Went To Heaven,” by Elizabeth Coatsworth. Every time I describe the story to someone, I choke up. I can’t even reread it now, because I’m afraid I’ll start bawling.
- The ending of the movie version of “Slaughterhouse-Five.” Valerie Perrine is giving birth to Michael Sacks’s baby on an alien planet, and fireworks are going off, and the (invisible aliens) are cheering, and the soundtrack is Glenn Gould playing Bach. It gets me every time.
- (This one is unbearably highbrow:) The entry of the chorus, ppp, in the finale of Mahler’s "Resurrection" Symphony. Also the whole twenty-minute first movement of Mahler’s Ninth Symphony; I can’t even listen to it anymore, it breaks me up too much.
So I am human, perhaps, after all.
(One afterword: I told my coworker how moved I was by her kid’s drawing of the ladybug. She guffawed. “Oh, that’s a good one,” she said. “He drew that because he wanted to butter me up to ask for something.”)
Apollonia is right. I’m a chump.
Sunday, November 13, 2011
Sunday blog: Mahler's "Urlicht," sung by Maureen Forrester, conducted by Glenn Gould
I recently found this clip on YouTube. It’s lovely: Maureen Forrester, one of the great contraltos of the 20th century, singing one of the great contralto arias – the “Urlicht” movement from Mahler’s Second Symphony – accompanied by an orchestra conducted by Glenn Gould.
An acquaintance had the nerve to mock me for liking this on YouTube. What do you like about this? he said. Mahler? Forrester? The schmaltzy conducting of Glenn Gould?
All three, actually, I said.
Mahler is all about feeling. Everyone involved in this performance is heavily into feeling.
And sometimes feeling is what it's all about.
So huh.
Sunday, April 24, 2011
Easter blog: Mahler's Resurrection Symphony
For Easter: the last few minutes of the final movement of Gustav Mahler's Second ("Resurrection") Symphony. I don't know this conductor, or this orchestra, or these soloists, but they're really pretty good.
I don't listen to Mahler much anymore; honestly, he hurts my heart too much. But when I listened to this, it was like hearing it for the first time.
Even if you think you don't like classical music, give this eight minutes of your time. It is amazing.
“You will rise again, my heart.”
I hope it's true. It would be lovely.
Happy Easter, y'all.
