Total Pageviews

Sunday, November 3, 2013

For Sunday: Ginger Rogers sings "We're In The Money" in Pig Latin



As a movie buff, I always stand and salute whenever any of the “Gold Diggers” movies of the 1930s come on the air. I DVR them and play them over and over again.


This is from the first (and best) of them: “Gold Diggers of 1933.”  It opens with a cheerful song – “We’re In The Money,” a renunciation of the Depression – and ends with a very downbeat musical number, “Remember My Forgotten Man,” very sad indeed.


Not your usual movie.


Dick Powell, Ruby Keeler, Ginger Rogers, and Joan Blondell are featured, as well as some names that aren’t so well remembered: Warren William, Guy Kibbee, Aline MacMahon, Ned Sparks.

For me, one of the most astonishing things in this excellent movie is in the first sequence: Ginger Rogers singing “We’re In The Money” in Pig Latin.

Watch and be amazed.






Saturday, November 2, 2013

The perfect homemade soft pretzel: the research continues



The nice folks at King Arthur Flour, in their most recent catalog, posted a recipe for pretzel sandwich buns.  I made them, and they were very nice, but I thought: well, why sandwich buns? Why can’t I make nice soft pretzels at home?


I can, as it turns out.


But not a single batch has turned out perfectly yet. Some have a nice sourdough flavor, but lack consistency. Some are too bready. Some are too tough.


I’ve made at least four batches so far. They’re all good, but none has been perfect.


I’m still working on it.


Here’s the best version so far:


Combine –


·        2 cups flour (white, or a mix of white and whole-wheat)
·        1 tsp salt
·        1 T instant dry yeast
·        1 T butter
·        A scant cup of warm water
·        A pinch of sugar, or a scant teaspoon of honey


Mix, and knead for at least five minutes, using enough extra flour to make a nice smooth non-sticky dough. Put down in a greased bowl, covered with a dampened cloth, in a quiet place, for at least an hour (preferably more), until the dough has doubled. (A longer rise gives a yeastier flavor, which I like.)


Punch down the dough, divide into eight pieces, and roll each into a long rope about 15 inches long. Tie into a pretzel shape. Here’s a video to show you how:






(You can tie a double knot too. But practice a bit first.)


Place your eight pretzel children on a greased surface, cover with a dampened cloth for 15-30 minutes, and let them rest. While that’s going on, prepare for the end of the process as follows:


·        Preheat oven to 400 degrees.
·        Prepare a water bath: a saucepan with about a quart of water and about ¼ cup baking soda, heated to boiling.
·        Also break an egg into a large bowl and beat it.
·        Also line a baking sheet with parchment paper, or (second best) grease a baking sheet heavily.


Carefully drop your unbaked pretzels one or two at a time (depending on the size of your saucepan) into the boiling-water bath. Flip after 30 seconds or so. Take out of the boiling water after a minute.


Let the boiled pretzels rest for a few seconds. Give them a bath in the beaten egg (both sides), place them on the baking sheet, and dust them with coarse salt. (Coarse sea salt is inexpensive and easily available, at least locally.)


Bake for 15-20 minutes or until golden-brown.


Cool, and serve with butter or mustard. If there are any left the next day, reheat them in the microwave for (literally) ten seconds or so, and they’ll be almost like new.


Still not perfect, I know. Something’s missing.


But I’ll figure it out. I’ve got lots of time on my hands.




Friday, November 1, 2013

Love your enemies



When my mother was undergoing cancer treatment in the 1990s, she went through all kinds of interesting states of mind, way beyond Elisabeth Kubler-Ross’s measly five.  Elisabeth would have been astounded. 


One of the most unexpected was the “I’m gonna tell you what I think of you before it’s too late” phase. We discovered that Mom was calling up people from her past and telling them all the things she’d been holding back for decades: how they’d disappointed or betrayed her, how they weren’t good enough for their wives/husbands, how they’d made bad decisions. (Myself, I was surprised that Mom had ever held anything back – she could be a real loudmouth when she was wanted to be – but apparently she’d kept a lot of opinions back after all.)


I am my mother’s son. I am full of grudges and unsettled scores. I am terribly self-righteous, just as she was. I only hope that, as the cancer treatment weakens me, I don’t succumb to Mom’s let-‘em-have-it mentality


This is why I was bemused by something that showed up on my Facebook wall a while back: a serious discussion of why you shouldn’t have enemies. To wit:


·        Enemies take up a lot of your valuable time – whether you’re actually taking revenge, or just thinking about it. (This is true, and I hate the idea of wasting time, especially at this point in my life.)
·        Your enemies probably aren’t worth hating as much as you think they are. (Maybe. Some of mine are pretty loathsome.)
·        Most of the world’s religions tell us to be kind to our enemies.


This last one needs some scrutiny. Certainly Jesus tells us to love our enemies. But the God of the Old Testament certainly didn’t mess around with anyone who got in his way. And many modern Christians seem to act as if they loathe whole squadrons of people.


So what’s an unbeliever to do?






See? You can make your enemy ashamed of himself by being nice to him. And then, if he doesn’t make friends with you, he presumably goes to hell.


Doesn’t that make you feel better?


It does me a world of good.



Thursday, October 31, 2013

For Halloween: The Great Pumpkin




“It’s the Great Pumpkin, Charlie Brown” was one of the first televised Peanuts specials, and one of the best. Here are a few selected scenes dealing with Linus’s misguided belief in the Great Pumpkin (who will only rise from the most sincere pumpkin patch in the world), and Sally’s reaction when she realized that she’s wasted her whole Halloween evening.

“YOU OWE ME RESTITUTION!”








Wednesday, October 30, 2013

High-tech medicine



My father’s radiation therapy in the mid-1970s was really brutal. It scorched his entire torso, and it did no good anyway, as his cancer was far too advanced.


My mother’s 1990s chemotherapy in the 1990s was much milder. She was only nauseous a few times. Taxol made her hair fall out, which really stunned her; I think it was the worst thing about the treatment for her. But the chemo extended her life considerably, without much affecting her quality of life.


And now it’s twenty years later, and I’m doing a tandem combination of radiation and chemotherapy. The radiation is directed straight at my left tonsil; after the first few treatments, I haven’t noticed many ill effects, apart from a little neck soreness/stiffness. The first few chemo treatments were similarly mild (apart from a little nausea and fatigue).


When I go in for radiation, I lie on the table and let the nurses fasten on my Radiation Mask:





They also give me a plastic hoop to grip with both hands, so I don’t flail my arms too much. The treatment is about ten minutes long; the machine makes all kinds of space-age humming and beeping noises. Then the attendant comes in and unbuckles me.


My mind wanders during the treatment. Early on, I found myself thinking about the plastic hoop. It’s ridged, and slightly flexible –


When the attendant came in to unbuckle me, I handed her the hoop and said: “This is a dog toy, isn’t it?”


She chuckled. “Yep. The medical version costs a hundred and fifty dollars. I bought that one at Petco for seven ninety-five.”


File this one under “health care costs,” and “high-tech medicine,” and probably under “human ingenuity.”


Pity the poor dog going without his toy. But it’s in the name of medicine, after all.


Woof woof!



Tuesday, October 29, 2013

Smoking, take two



(Note: this is a rewrite of a blog I wrote back in 2011, with maybe a few updates, in the light of recent events.)


Both my parents smoked. I have distinct memories of sitting in the front seat of our family car, with my father in the driver’s seat on my left and my mother sitting to my right, both of them puffing away, the ashtray overflowing. I couldn’t breathe. I finally spoke up about it when I was about nine or ten years, and it actually inspired my mother to quit smoking.


This, however, didn’t stop me from taking up the habit myself. I got a free sample of Lucky Strikes at Fenway Park in 1983; I smoked one or two of them; soon after I was in Morocco, and smoking a pack a day; soon after that I was in Tunisia and smoking two packs a day.


I kept this up until 1998. Remembering the family proclivity for cancer, I resolved to quite when I was forty, and I managed it, just a few months shy of my forty-first birthday.


I have been reasonably healthy on and off since.


And now, fifteen years later, I discover that I have throat cancer, the main risk factor for which is – ahem – smoking.


Go figure.


I freely acknowledge that it’s my own fault. I knew there were bad genes on both sides of the family, and I knew that smoking could only be bad for me. But I kept it up for fourteen years.


Foolish, naturally. Most of those fourteen years between ’84 and ‘98, I was just smoking out of habit; I even (as do most smokers) kept it up while I was sick with colds and the flu. I even smoked at meals. I was smelly and utterly obnoxious, and probably nearly burned myself to death more than once. I realize that now.


But I remember one beautiful morning in Tunis, before I developed my two-pack-a-day habit. I left the house around 8am, bought a pack of local cigarettes, lit up, and –


That first puff was heaven.


So it wasn’t all bad.


But it probably wasn’t worth getting cancer for.



Monday, October 28, 2013

The Visigoth crowns in the Cluny Museum



For a long time I only knew the Visigoth crowns from a poem by Elinor Wylie, which a friend recently quoted to me:


I cannot give you the Metropolitan Tower;
I cannot give you heaven;
Nor the nine Visigoth crowns in the Cluny Museum;
Nor happiness, even.


When Partner and I were in Paris last October, I noticed that the Cluny Museum was very close to our hotel. We went there on our last full day in Paris. It’s an old building with a Roman foundation; there are lots of old relics from the days when Paris was called Lutetia. As you ascend through the building, you find all manner of other works of art: later Roman, Dark Ages, Holy Roman Empire, medieval France.


And among those works of art are the Visigoth crowns.


They are not big chunky Burger-King style crowns in the Halloween-costume sense. They are delicate circlets encrusted with sapphires and pearls and other polished stones, festooned with slender strands of gold. (I counted only eight of them, and was a little disappointed. Then I learned that the ninth, the crown of King Suinthila, was stolen in 1921 and has never been found again.)


They were never meant to be worn; they were to be hung above a church's altar, as a symbol of royalty. With a little modification, however, they would look like something an Elf might have worn in Tolkien’s Middle-Earth.


I want lots of things from museums the world over. I want Suzanne Valadon’s portrait of Erik Satie, which hangs in the Modern Art Museum in Paris (though I’ve never seen it in person). I want the Salomon Ruysdael waterscape that hangs in the RISD Museum only a few blocks from our apartment here. I want Ilya Repin’s gorily tragic “Ivan the Terrible and His Son” from the Tretyakov in Moscow, which would look nice over the sofa. I want a Rembrandt here and a Koons there, and a couple of the Monets from the Metropolitan in New York. Also I might throw in a couple of the Unicorn tapestries from the Cloisters, and I wouldn’t mind the Bayeux Tapestry (if only I had a room big enough to display it in).


But I think I would trade all of the above for one – just one! – of the Visigoth crowns from the Cluny Museum.


Is that so much to ask?



Sunday, October 27, 2013

For Sunday: Maria's dance from "Metropolis" (1927)



Metropolis” is one of my favorite movies. It’s a wild science-fiction romp from 1927; it’s silent, but you can now see it with its original musical score, which is very expressive.


Here’s the plot: the city of Metropolis is divided between the lofty towers of the rich and powerful and the dark underground cities of the workers. A woman named Maria (played luminously by Brigitte Helm) is preaching to the workers and telling them to expect a “mediator.” The dictator of Metropolis, in an attempt to stop Maria, asks crazy Doctor Rotwang to create a evil robot replica of Maria; the robot proceeds a) to stir up all kinds of discord in the underground cities, and b) to dance at Yoshiwara, the hippest nightclub in the tower city, and drive all the upscale men insane with lust.


This is the false Maria’s dance. It’s beyond amazing. (Just so you know: the young man in bed is the true Maria’s boyfriend (who also happens  to be the dictator’s son), having visions of the Apocalypse.)


Enjoy.








Saturday, October 26, 2013

Ivy



Providence is full of Ivy. Brown University is Ivy League, after all, and there’s English ivy (Hedera helix) growing all over the place. A friend of mine, freshly arrived in Providence from Montana, plucked some ivy leaves off the wall and mailed them to her family and friends in Billings, to underline the reality of where she was.


Ivy wants to go up, away from the ground, against gravity. There’s a nearby building with two ivy tendrils curling up its walls like arms outspread. And up up up they go!


I always think of my mother when I see ivy. When my father built our new house in the early 1960s, my mother decided that she liked ivy, and planted shoots of it all along the north side of the house and along the roadside.


Those shoots were stubborn. They didn’t die, but they didn’t grow. A few leaves stuck out of the ground, year after year. And then, after five years or so –


They exploded.


The entire north side of the house was engulfed with ivy. And do you know what ivy does to the side of a house, especially one with wooden shingles? It chews it up, om nom nom. If you try to pull the ivy down, you rip away half of the wooden shingles at the same time, and you reveal the dark mottling that the ivy has produced on its way up the wall.


Mom got her wish, and how! But she wasn’t happy that her plan had gone beyond expectations. She managed to get most of it off the shingles, and she repainted, but she couldn’t get the ivy off the brickwork. This picture, taken in May 1971, shows the ivy covering the exposed brickwork:




It looks nice, doesn’t it? Nice rhododendrons in front of the house, and a nice ivy-covered chimney.


But Mom was watching that ivy every moment, to make sure it didn’t leap onto the wooden shingles again.


Ivy is aggressive.


And now, a song:








Friday, October 25, 2013

The power of getting away



“The Power of Getting Away” was the spectacular title of a blog written by my Australian blogmate Attila Ovari not long ago. The drift of his blog was: How often do you detach yourself from your regular routine – the office, the news, national politics – and just think about yourself and your family and your own needs and wants?


But, to me, the title suggests so much more than that.


Getting away. O dear. If only we were able to get away – to escape from our lives and “forget for a while” (in JRR Tolkien’s words) “the dreadful doom of life.”


To bury our heads in the covers and sleep for another hour, or two, or ten.


To call in sick to work for a day, or a week, or a couple of years.


In a word: when something which is (presumably) overpoweringly powerful requests your presence, to be able to say “no.”


Best of all, I think, was the late Rue McClanahan’s comment on the TV show “Maude” many years ago (I paraphrase, probably badly): “When it’s my time to die, I’m going to be somewhere else.”


I want to be elsewhere when it’s my time too, if that’s at all possible.