For a long time I only knew the Visigoth crowns
from a poem by Elinor
Wylie, which a friend recently quoted to me:
I cannot give you the Metropolitan
Tower;
I cannot give you heaven;
Nor the nine Visigoth crowns in the Cluny Museum;
Nor happiness, even.
I cannot give you heaven;
Nor the nine Visigoth crowns in the Cluny Museum;
Nor happiness, even.
When Partner
and I were in Paris last October, I noticed that the Cluny Museum was very close to our
hotel. We went there on our last full day in Paris. It’s an old
building with a Roman foundation; there are lots of old relics from the days when Paris was called Lutetia. As you
ascend through the building, you find all manner of other works of art: later
Roman, Dark Ages, Holy Roman Empire, medieval France.
And among those works of art are the Visigoth crowns.
They are not big
chunky Burger-King style crowns in the Halloween-costume sense. They are delicate
circlets encrusted with sapphires and pearls and other polished stones, festooned
with slender strands of gold. (I counted only eight of them, and was a little disappointed.
Then I learned that the ninth, the crown of King Suinthila, was stolen in 1921
and has never been found again.)
They were never
meant to be worn; they were to be hung above a church's altar, as a symbol of royalty.
With a little modification, however, they would look like something an Elf
might have worn in Tolkien’s Middle-Earth.
I want lots of
things from museums the world over. I want Suzanne
Valadon’s portrait of Erik Satie, which hangs in the Modern Art Museum in Paris
(though I’ve never seen it in person). I want the Salomon
Ruysdael waterscape that hangs in the RISD Museum only a few blocks from
our apartment here. I
want Ilya Repin’s gorily tragic “Ivan the Terrible and His Son” from the
Tretyakov in Moscow, which would look nice over the sofa. I want a
Rembrandt here and a Koons there, and a couple of the Monets from the
Metropolitan in New York. Also I might throw in a couple of the
Unicorn tapestries from the Cloisters, and I wouldn’t mind the Bayeux
Tapestry (if only I had a room big enough to display it in).
But I think I
would trade all of the above for one – just one! – of the Visigoth crowns from
the Cluny Museum.
Is that so much
to ask?
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